Matilda Bathurst, The Millions
Perhaps, to submit to the ripping is the most honest way to live: to enter the rupture and look death in the eye. What we see is a living hell. What we see is the world we live in.
Angie Voela on OE
Orpheus and Eurydice is the passion of her absence. Do not ‘enjoy’ this book, feel it
James Walters on OE
Tom de Freston and Kiran Milwood Hargrave’s ingenious volume expands and revitalises the myth of Orpheus and Eurydice for new audiences
Abigail Rokison-Woodall on OE
Tom de Freston’s artwork is vivid, shocking and expressive
Lydia Goehr on OE
A beautiful discourse on modern marriage with images and texts of psychological inter-penetration and comic dissonance.
Leon Burnett on OE
Visually creative, academically informed, and imaginatively conceived
Luke Kennard on OE
Exhilarating, visionary and genre-defying. A free-wheeling but ingeniously focused reimagining of Orpheus and Eurydice
Claire Trévien on OE
Ground-breaking in its creativity and the fertility of its imagination…I have little doubt that it’ll be the work against which future hybrid and collaborative endeavours are measured.
Professor Ewan Fernie on Orpheus and Eurydice
There is a radical honesty about this book, one which grabs you where it hurts and pulls you in. It’s like eavesdropping on your own repressions, and just as thrilling, disturbing and compulsive.
Demons Land- process
A selection of images from the Demons land project: Shots of the set, film stills, paintings, photographs used in the development of the paintings, sculptures and drawings.
WONDER- Medicine Unboxed 2016
WONDER In my role as Artistic Director of Medicine Unboxed I put together an exhibition for MU2016 at the Parabola Arts Centre. The images are either sourced from Wellcome Images or from my own work. Images courtesy of Wellcome Images. WONDER We live in an age where our consumption of images has grown exponentially, but […]